1981--1994
Group Exhibitions: 1992, 1990, 1989, 1988 
Personal Exhibitions;
1994, 1993, 1987--1992, 1995, 1992--1982
Work in progress or not exhibite
A period of finessing Mathematically based artworks; projects emulating cybernetic interactions, Meta-Phorms, Meta-Compositions. First works on the Macintosh.
Group Exhibitions
1992
• Computer for Artists, New York.
1990
• The Hard Copy, the Grove Gallery University of San Diego, CA.
1989
• Imagine Tokyo '89, Konica Sogetsu Kaikan Gallery, Tokyo, Japan.
1988
• Imagine - Imaging Sciences Offsite, Apple Computer, Newport Beach, CA.
• Imagine, Macintosh Art, The Computer Museum, Boston, Mass.
One-man Exhibitions
1994
• Delfina Studios, London, England, Artist residency.
1993
• Virginia Center for Creative Arts, May.
1987--1992.
• Five works in the Pepsico Corporate Headquarters collection.
1985
• Five paper sculptures, Tiffany, New York.
1982--1992
Museum of Modern Art, New York, S-Band - paper sculpture.
Other works from the period
1981--1994
• First experiments with the Macintosh, 1986.
William Gibbons, HOW Magazine, Ideas&Technologies in Graphic Design, Sept/Oct 1988, Vol.III, # 6,
Specialized Talents.
"Among those who are moving GBA into the next generation are Serban Epure,…
Epure is considered one of the leading personal computer art specialists in the country.
Epure was trained in electronics but moved on to painting in the mid 1960's. He is responsible for creating most of the company's in-house computer-generated art as well as finding new ways to use software in electronic illustration. He adds that two years ago, GBA had just bought its first two Macintoshes. "I found some software and began experimenting. It has all taken off from there. Mostly, I find that limitations with this machine are based on experience. The more pleasure you get from this work, the more you learn and the more you work with it to become more proficient. I find that the Mac
and Adobe are pleasurable and challenging."
Note; GBA ( Gipps + Balkind and Associates) was a leading design firm in Manhattan in the 80th and 90ths.
Paintings.
• 1994--1995 series. Late hand paintings of Meta-Phorms.
Click for a magnified view.
• 1990--1993 series.
The Man's Odissay, One painting-20 panels, 108 x 7.5 ft / 32 x 2.3 m, acrylic on canvas. Hand painted mathematical processes and Meta-Phorms.
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• 1988--1992 series.
• 1987 series.
• 1985--1986 series.
• 1981 series.
Click for a magnified view. 1 , 2
Drawings.
• 1984--1986 series.
• 1980--1983 series.
Press
• 1986--1989
